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Description
In 1869 Ruskin was appointed the Slade Professor of Fine Art at Oxford. His inaugural lectures, delivered between February 8th and March 23rd of 1870, focused on the limits and elementary practice of art, and were published in book form later that year. In the lectures, Ruskin offers his keen insights on art and its relation to religion, morality, and every day life, as well as a detailed analysis on the meaning of line, light, and color. Ruskin later...
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This second in a three-volume series on Venetian art and architecture focuses on the Byzantine and Gothic periods. Ruskin discusses the palaces belonging to each era, along with the "nature" of the Gothic and the beautiful islands of Murano and Torcello in the Byzantine period.
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Subtitled "Being Simple Studies on Christian Art for English Travellers," Ruskin uses this 1877 work to advise pilgrims to Italy on what works of art to see during a limited time. His casual stroll conducts readers through the gates and basilicas of the city to ponder the genius of Giotto, Ghirlandajo, Boticelli, and others.
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In this 1859 publication, Ruskin sets forth the fundamental rules of perspective in a short mathematical form. Written not for a select few, the book conveys complex information in a way that art students at many levels will understand. A classic that is still relevant today.
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Español
Description
La presente edición recoge los textos que Ruskin dedicó al tema de lo grotesco. Lo grotesco se percibe en el estilo y lenguaje de las obras artísticas, pero no es solo una cuestión de estilo y lenguaje. La profunda novedad de Ruskin surge en el análisis de sus orígenes: lo grotesco es una manifestación de la naturaleza humana y, en cuanto tal, no puede ser despreciado ni relegado, tal como había hecho la literatura artística tradicional.
La...
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This 1866 book is comprised of the lectures that Ruskin gave to various girls' schools on the fundamentals of mineralogy. Rather than in a lecture format, however, the information is conveyed in the form of a delightful dialogue between Ruskin and his students. Interesting and engaging.
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Excerpt: "My dear Reader,-Whether this book is to be of use to you or not, depends wholly on your reason for wishing to learn to draw. If you desire only to possess a graceful accomplishment, to be able to converse in a fluent manner about drawing, or to amuse yourself listlessly in listless hours, I cannot help you: but if you wish to learn drawing that you may be able to set down clearly, and usefully, records of such things as cannot be described...
12) Modern Painters
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English
Description
Modern Painters is a five-volume work by the eminent Victorian art critic, John Ruskin. The work placed emphasis on symbolism in art, expressed through nature and it was influential on the early development of the Pre-Raphaelite Brotherhood. Ruskin wrote Modern Paintings for 17 years updating it and adding later volumes in subsequent years. The book was primarily written as a defense of the later work of J. M. W. Turner. Ruskin argues that recent...
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