"I Know Your Kind is a haunting, blistering debut collection about the American opioid epidemic and poverty in rural Appalachia. In West Virginia, fatal overdoses on opioids have spiked to three times the national average. In these poems, William Brewer demonstrates an immersive, devastating empathy for both the lost and the bereaved, the enabled and the enabler, the addict who knocks late at night and the brother who closes the door. Underneath and...

"No literary form is as admired and feared as poetry. Admired for its lengthy pedigree--a line of poets extending back to a time before recorded history--and a ubiquitous presence in virtually all cultures, poetry is also revered for its great beauty and the powerful emotions it evokes. But the form has also instilled trepidation in its many admirers mainly because of a lack of familiarity and knowledge. Poetry demands more from readers--intellectually,...

"Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility--"What if, instead of carrying / a child, I am supposed to carry grief?"--And a body seized by pain and vertigo as well as ecstasy. A nation convulses: "Every song of this country / has an unsung third stanza, something...

"The witch: supernaturally powerful, inscrutably independent, and now--indestructible. These moving, relatable poems encourage resilience and embolden women to take control of their own stories. Enemies try to judge, oppress, and marginalize her, but the witch doesn't burn in this one"--Publisher's website.

In Spoon River Anthology, the American poet Edgar Lee Masters (1869–1950) created a series of compelling free-verse monologues in which former citizens of a mythical Midwestern town speak touchingly from the grave of the thwarted hopes and dream of their lives. First published in book form in 1915, the Anthology was the crowning achievement of Masters' career as a poet, and a work that would become a landmark of 20th-century American literature....

¿Qué convierte a algo en una obra de arte? ¿Cómo dieron forma los antiguos griegos a la belleza ideal? ¿Ejerce el color una influencia directa en el alma? Este libro analiza estas y otras muchas cuestiones revisando los movimientos, estilos y temas artísticos claves a través de más de 200 obras de muy diversos géneros. Con un lenguaje claro, El libro del arte desbroza la jerga de la historia y la teoría del arte y ofrece imágenes de las...

"This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama's appealing, unhurried reflections"--Book jacket Ó Tuama pairs fifty poems with his own reflections, considering each poem's artistry and exploring how its meaning can reach into our own lives. Focusing mainly on poets writing today, he features a diverse array of poems and shows how each can take readers on a journey to reckon with self-acceptance,...

"All over the country, there are words disappearing from children's lives. These are the words of the natural world--dandelion, otter, bramble and acorn, all gone. The rich landscape of wild imagination and wild play is rapidly fading from our children's minds. The Lost Words stands against the disappearance of wild childhood. It is a joyful celebration of nature words and the natural world they invoke. With acrostic spell-poems by award-winning writer...

"A compendium of more than 70 iconic works of art featuring women who read, from the Virgin Mary to Marilyn Monroe"--

Spring and All (1923) is a book of poems by William Carlos Williams. Predominately known as a poet, Williams frequently pushed the limits of prose style throughout his works, often comprised of a seamless blend of both forms of writing. In Spring and All, the closest thing to a manifesto he wrote, Williams addresses the nature of his modern poetics which not only pursues a particularly American idiom, but attempts to capture the relationship between...